We've recently updated our website to make signing in easier and more secure
Sign in to Harper'sGet Harper’s in print, instant digital access & our 173-year archive—all for $23.99 a year
A weekly email taking aim at the relentless absurdity of the 24-hour news cycle.
Feminine Echoes from the Pastoral Underground, a painting by Lauren dela Roche, whose work is on view through June 15 at Eric Firestone Gallery, in New York City.
Courtesy the artist and Eric Firestone Gallery
The Script, a mixed-media artwork (jeans, baby garments, sand, twine, chalk, paint, fiber fill) by Joy Ray, whose work is on view through May 12 as part of the exhibition The Golden Thread: A Fiber Art Exhibition, presented by BravinLee Programs at the Seaport in New York City.
Courtesy the artist and BravinLee Programs, New York City
“Lightning Strikes, New Mexico 2014,” a photograph by Roger Deakins, whose work was on view from April 25 - 28 at The Photography Show, presented by AIPAD in New York City with Obscura Gallery.
© Roger Deakins. Courtesy of Obscura Gallery, Santa Fe, New Mexico
Bingo-Pong, a painting by Alasdair Wallace, whose work is on view through April 27 as part of the exhibition CHO! CHO LE!, at Arusha Gallery, in London.
Courtesy Alasdair Wallace and Arusha Gallery, London
Before they wake, a painting by Danielle Mckinney, whose work is on view through April 27 at Marianne Boesky Gallery, in New York City.
© Danielle Mckinney. Courtesy of Marianne Boesky Gallery
Get Access to Print and Digital for $23.99 per year
“The black public intellectual is called forth to explain the black part of that identity with little consideration for what formed the intellectual part. The white audience does not seek out black public intellectuals to challenge their worldview; instead they are meant to serve as tour guides through a foreign experience that the white audience wishes to keep at a comfortable distance. White people desire a representative of the community who can provide them with a crash course. It is easier, then, for a white public unwilling to grapple with the complexities of these varying disciplines, and the perspectives they produce, to reduce their engagement with black public intellectuals down to a handful of spokespeople, and hopefully, only one.”
Read MoreTimeless stories from our 173-year archive handpicked to speak to the news of the day.
“An unexpectedly excellent magazine that stands out amid a homogenized media landscape.” —the New York Times
Subscribe now“An unexpectedly excellent magazine that stands out amid a homogenized media landscape.” —the New York Times
SUBSCRIBE NOWFrom Upton Sinclair to Barbara Ehrenreich, Harper’s has been home to America’s most daring journalists.
Subscribe now