Winograd, Arthur (1920–)

SUBJECT OF

REVIEWS (4)

94	August 1959 The new recordings/Review Worth hearing . . . By Edward Tatnall Canby SEE ALSO: Winograd, Arthur; Beethoven: Symphony #9 (Sound recording); Tzipine, Georges; Beethoven, Ludwig van; Redel, Martin Christoph; Mussorgsky, Modest Petrovich; Mozart: Eine kleine nachtmusik, K. 525; Les petits riens, K. anh. 10 (Sound recording); Mussorgsky: Complete songs (Sound recording); Klemperer, Otto; Tchaikovsky, Peter Ilich; Philharmonia Orchestra; Tchaikovsky: Swan Lake; Sleeping beauty (suites) (Sound recording); Mozart, Wolfgang Amadeus PDF IMAGES
94-96	January 1958 The new recordings/Review Generations of changing taste By Edward Tatnall Canby SEE ALSO: Winograd, Arthur; Beethoven: Septet, op. 20 (Sound recording); Beethoven: Symphony #3 (“Eroica”) (Sound recording); Cleveland Orchestra; Milhaud, Darius; Detroit Symphony; Mitropoulos, Dimitri; Dukas: Sorcerer's apprentice. Weinberger: Polka and fugue. Liszt: Les Preludes. Strauss: Dance of the seven veils (Sound recording); Liszt, Franz; Schubert, Franz; Szell, George; Haydn: Symphony #44 (“Trauer Symphonie”); Symphony #49 (“La Passione”) (Sound recording); Haydn: Symphony #45 (“Farewell”); Symphony #82 (“The Bear”) (Sound recording); Haydn: Symphony #96. Mozart: Symphony #35 (“Haffner”) (Sound recording); Berlioz, Hector; Scherchen, Hermann; Weinberger, Jaromír; Haydn, Joseph; Barzin, Leon; Les Malheurs d'Orphée (1924) (Sound recording); Beethoven, Ludwig van; Milhaud: Le Pauvre matelot (1926) (Sound recording); Mozart: Symphony #35 (“Haffner”). Berlioz: Waverley overture; Three excerpts from “The Damnation of Faust” (Sound recording); New York Philharmonic; Orchestre du Theatre National de l'opera; Dukas, Paul; Paray, Paul; Philharmonia Orchestra of Hamburg; Strauss, Richard; Reinhardt, Rolf; Schubert: The death of Lazarus (Sound recording); Vienna State Opera Orchestra; Mozart, Wolfgang Amadeus PDF IMAGES
104-110	March 1957 The new recordings/Review Knowing the unknown By Edward Tatnall Canby SEE ALSO: Deller, Alfred; Winograd, Arthur; Berlin Philharmonic; Berwald: Symphony in C (“Singulière”); Symphony in E flat (Sound recording); Binchois: Mass. Secular pieces by Isaac, Crequillon, Gerard, etc. (Burgundian school) (Sound recording); Colombo; Eeckhout; Chausson, Ernest; Fauré: Masques and bergamasques, op. 112 (1920). Duparc: Lénore (tone poem, 1875). Chausson: Viviane (tone poem, 1882) (Sound recording); Berwald, Franz; Fauré, Gabriel; Binchois, Gilles; Pergolesi, Giovanni Battista; Brown, Harold; Duparc, Henri; Markevitch, Igor; Rameau, Jean Philippe; Rosenmüller, Johann; La Lande: Symphonies pour les soupers du roi. Rameau: Musique de ballet (Les paladins, first and second suites) (Sound recording); Gardelli, Lamberto; Lalande, Michel Richard de; Performances; Pergolesi (?): Il Maestro de musica (Sound recording); Philharmonia Orchestra of Hamburg; Rosenmüller: In te, Domine; Die Augen des Herrn; Confiteor tibi; Nunc dimittis (Sound recording); The Renaissance chorus (Sound recording); Byrd, William; William Byrd and his age (Sound recording); Tessier, Yves PDF IMAGES
106	November 1956 The new recordings/Review Worth looking into . . . By Edward Tatnall Canby SEE ALSO: Winograd, Arthur; Cimarosa: Il Matrimonio segreto (Sound recording); Cleveland Orchestra; Cimarosa, Domenico; Poulenc, Francis; Glinka: Russlan and Ludmilla, complete (Sound recording); Stravinsky, Igor; Kondrashin, Kirill Petrovich; Glinka, Mikhail Ivanovich; Sanzogno, Nino; Philharmonia Orchestra of Hamburg; Poulenc: Concerto for organ, strings, and timpani. Hanson: Concerto for organ, strings, and harp (Sound recording); Prokofiev: The love for three oranges, op. 33, complete (Sound recording); Schumann, Robert; Schumann: Symphonic etudes, op. 13; Scenes from childhood, op. 15 (Sound recording); Prokofieff, Sergey; Stravinsky: The fairy's kiss, complete ballet (Sound recording) PDF IMAGES